Publications

For a list of nearly 200 papers from the music computing lab, mostly downloadable, see here.

2023

  • Canny, Nicholas; Holland, Simon and Mudd, Tom (2023). Proceedings of the CHIME Music and HCI Workshop 2023. In: CHIME One Day Workshop 2023, 4 Dec 2023, The Open University, Milton Keynes, The Open University
  • Holland, Simon; Petre, Marian; Church, Luke and Marasoiu, Mariana eds. (2023). PPIG 2022: Proceedings of the 33rd Annual Workshop of the Psychology of Programming Interest Group. Psychology of Programming Interest Group Proceedings. Milton Keynes and Online: PPIG.
  • Lederman, Noam; Holland, Simon and Mulholland, Paul (2023). An agent for creative development in drum kit playing. In: PPIG 2022: Proceedings of the 33rd Annual Workshop of the Psychology of Programming Interest Group (Holland, Simon; Petre, Marian; Church, Luke and Marasoiu, Mariana eds.), Proceedings of the Psychology of Programming Interest Group, PPIG, Milton Keynes, UK, pp. 88–90.

2022

  • Noam Lederman, Simon Holland and Paul Mulholland, An agent for creative development in drum kit playing. PPIG 2022
  • Tetley, Josephine Wendy; Holland, Simon; Caton, Sue; Donaldson, Glynis; Georgiou, Theodoros; Visi, Federico and Stockley, Rachel Christina (2022). Using rhythm for rehabilitation: the acceptability of a novel haptic cueing device in extended stroke rehabilitation. Journal of Enabling Technologies (Early Access).

2021

  • Bolzoni, Andrea; Di Donato, Balandino and Laney, Robin (2021). tiNNbre: a timbre-based musical agent. In: Nordic SMC 2021: The 2nd Nordic Sound and Music Conference, 11-12 Nov 2021, Online, Nordic SMC, Aalborg University.

2020

  • Lederman, Noam; Holland, Simon and Mulholland, Paul (2020). A principled approach to the development of drum improvisation skills through interaction with a conversational agent. Proceedings of PPIG (Psychology of Programming Interest Group) 30 November – 4 December 2020. http://oro.open.ac.uk/74638
  • Mudd, Tom; Holland, Simon and Mulholland, Paul (2020). The role of nonlinear dynamics in interactions with digital and acoustic musical instruments. Computer Music Journal, 43(4)
  • Georgiou T, Holland S, van der Linden J (2020) Rhythmic Haptic Cueing for Gait Rehabilitation of People with Hemiparesis: Quantitative Gait Study JMIR Biomedical Engineering 2020; Vol 5 No 1 (e-collection 18649 with themes: Biomedical Engineering Articles, Cognitive and Neurorehabilitation, Emerging Technologies for Rehabilitation, Innovations in Exercise, Rehabilitation, Stroke). DOI: 10.2196/18649
  • Georgiou, Theodoros; Islam, Riasat; Holland, Simon; Linden, Janet Van Der; Price, Blaine; Mulholland, Paul and Perry, Allan (2020). Rhythmic Haptic Cueing Using Wearable Devices as Physiotherapy for Huntington’s Disease: Case Study. JMIR Rehabilitation and Assistive Technologies Journal. DOI: 10.2196/18589 (Impact Factor 3.4)
  • Islam R, Bennasar M, Nicholas K, Button K, Holland S, Mulholland P, Price B, Al-Amri M. (2020) Non-proprietary movement analysis software using wearable inertial measurement units on both healthy participants and those with anterior cruciate ligament reconstruction across a range of complex tasks: validation study. JMIR Mhealth Uhealth doi:10.2196/17872 (Impact Factor 4.31)

2019

  • Tom Mudd, Simon Holland and Paul Mulholland (2019) Nonlinear Dynamical Processes in Musical Interactions: investigating the role of nonlinear dynamics in supporting surprise and exploration in interactions with digital musical instruments. International Journal of Human Computer Studies, IJHCS.
  • Holland, Simon; Mudd, Tom; Wilkie-McKenna, Katie; McPherson, Andrew and Wanderley, Marcelo M. (2019). Understanding Music Interaction, and Why It Matters. In: Holland, Simon; Mudd, Tom; Wilkie, Katie; McPherson, Andrew and Wanderley, Marcelo M. eds. New Directions in Music and Human-Computer Interaction. Springer Series on Cultural Computing. Springer, pp. 1–20.
  • Holland, Simon and Fiebrink, Rebecca (2019). Machine Learning, Music and Creativity: An Interview with Rebecca Fiebrink. In: Holland, Simon; Mudd, Tom; Wilkie, Katie; McPherson, Andrew and Wanderley, Marcelo eds. New Directions in Music and Human-Computer Interaction. Springer Series on Cultural Computing. Springer, pp. 259–267.
  • Hödl, Oliver; Kayali, Fares; Fitzpatrick, Geraldine and Holland, Simon (2019). TMAP Design Cards for Technology-Mediated Audience Participation in Live Music. In: Holland, Simon; Mudd, Tom; Wilkie-McKenna, Katie; McPherson, Andrew and Wanderley, Marcelo eds. New Directions in Music and Human-Computer Interaction. Springer Series on Cultural Computing. Springer, pp. 41–59.
  • Holland, Simon; Mudd, Tom; Wilkie-McKenna, Katie; McPherson, Andrew and Wanderley, Marcelo M. eds. (2019). New Directions in Music and Human-Computer Interaction. Springer Series in Cultural Computing. Springer

2018

  • Holland, Simon; Bouwer, Anders and Hödl, Oliver (2018). Haptics for the development of fundamental rhythm skills, including multi-limb coordination. In: Papetti, Stefano and Saitis, Charalampos eds. Musical Haptics. Springer Series on Touch and Haptic Systems. Springer International Publishing, (2018)
  • Bellingham, Matt; Holland, Simon and Mulholland, Paul (2018). Choosers: The design and evaluation of a visual algorithmic music composition language for non-programmers. In: Proceedings of 29th Annual Workshop of the Psychology of Programming Interest Group – PPIG 2018.
  • Corneli, Joseph; Holland, Simon; Pease, Alison; Mulholland, Paul; Murray-Rust, Dave; Scaltsas, Theodore and Smaill, Alan (2018). Patterns of Design. In: Proceedings of the 23rd European Conference on Pattern Languages of Programs (EuroPLoP ’18), ACM, New York, NY, USA, article no. 22.
  • Islam, Riasat; Holland, Simon; Georgiou, Theodoros; Price, Blaine and Mulholland, Paul (2018). Wearable Haptic Devices for Long-Term Gait Re-education for Neurological Conditions. In: Haptic Technologies for Healthcare, EuroHaptics 2018, 13-16 Jun 2018, Pisa, Italy.
  • Islam, Riasat; Georgiou, Theodoros; Holland, Simon; Price, Blaine and Mulholland, Paul (2018). How can rhythmic haptic cueing using wearable haptic devices help gait rehabilitation for stroke survivors: a longitudinal pilot study. In: 2nd Digital Health & Wellbeing Conference 2018, 01-03 May 2018, The Open University, Milton Keynes, UK.
  • Katz, Dmitri S.; Price, Blaine A.; Holland, Simon and Dalton, Nicholas Sheep (2018). Data, Data Everywhere, and Still Too Hard to Link: Insights from User Interactions with Diabetes Apps. In: CHI 2018: CHI Conference on Human Factors in Computing Systems, 21-26 Apr 2018, Montreal, QC, Canada.
  • Islam, Riasat; Holland, Simon; Price, Blaine; Georgiou, Theodoros and Mulholland, Paul (2018). Wearables for Long Term Gait Rehabilitation of Neurological Conditions. In: A Short Workshop on Next Steps Towards Long Term Self Tracking, CHI 2018: CHI Conference on Human Factors in Computing Systems, 21-26 Apr 2018, Montreal, QC, Canada.
  • Islam, Riasat; Holland, Simon; Georgiou, Theodoros; Price, Blaine and Mulholland, Paul (2018). A longitudinal rehabilitation case study for hemiparetic gait using outdoor rhythmic haptic cueing via a wearable device. In: 27th European Stroke Conference, 11-13 Apr 2018, Athens, Greece.
  • Islam, Riasat; Holland, Simon; Georgiou, Theodoros; Price, Blaine and Mulholland, Paul (2018). Gait rehabilitation by outdoor rhythmic haptic cueing using wearable technology for neurological conditions: a case study. In: ACPIN International Neurophysiotherapy Conference, 19-20 Mar 2018, Manchester, UK.

2017

  • Matt Bellingham, Simon Holland and Paul Mulholland (2017) Choosers: designing a highly expressive algorithmic music composition system for non-programmers. 2nd Conference on Computer Simulation of Musical Creativity — 11-13 September 2017, The Open University, Milton Keynes, UK.
  • Oliver Hödl, Fares Kayali, Geraldine Fitzpatrick and Simon Holland (2017) Design Implications for Technology-Mediated Audience Participation in Live Music. Sound and Music Computing 2017.
  • Daquino, Marilena; Daga, Enrico; d’Aquin, Mathieu; Gangemi, Aldo; Holland, Simon; Laney, Robin; Penuela, Albert Merono and Mulholland, Paul (2017). Characterizing the Landscape of Musical Data on the Web: State of the Art and Challenges. In: Second Workshop on Humanities in the Semantic Web – WHiSe II, 21-25 October 2017, Vienna, Austria.
  • Visi, Federico; Georgiou, Theodoros; Holland, Simon; Pinzone, Ornella; Donaldson, Glenis and Tetley, Josie (2017). Assessing the Accuracy of an Algorithm for the Estimation of Spatial Gait Parameters Using Inertial Measurement Units: Application to Healthy Subject and Hemiparetic Stroke Survivor. In: 4th International Conference on Movement Computing (MOCO ’17), June 28-30, 2017, London, UK, ACM.
  • Georgiou, Theodoros; Holland, Simon; van der Linden, Janet and Visi, Federico (2017). Two kinds of entrainment in gait rehabilitation using haptic metronomic cues. In: 16th Rhythm Production and Perception Workshop, 3-5 July 2017, Birmingham, UK.
  • Buys, Kurijn; Sharp, David and Laney, Robin (2017). Development of a hybrid wind instrument—Some key findings. In: Journal of the Acoustical Society of America, 141(5), article no. 3620.
  • Georgiou, Theodoros; Holland, Simon and van der Linden, Janet (2017). Rhythm and Gait rehabilitation: a case study using rhythmic haptic cueing for stabilising gait and improving asymmetries. In: 26th European Stroke Conference, 24–26 May 2017, Berlin, Germany.
  • Collins, Tom and Laney, Robin (2017). Computer-Generated Stylistic Compositions with Long-Term Repetitive and Phrasal Structure. Journal of Creative Music Systems, 1(2)
  • Buys, Kurijn; Sharp, David and Laney, Robin (2017). Developing and evaluating a hybrid wind instrument. Acta Acustica united with Acustica, 103(5) pp. 830–846.

2016

  • Holland, Simon (2016). Harmony and Technology Enhanced Learning. In: King, Andrew; Himonides, Evangelos and Ruthmann, S. Alex eds. The Routledge Companion to Music, Technology and Education. New York, USA: Routledge, (In press).
  • Buys, Kurijn; Sharp, David and Laney, Robin (2016). Improving the stability of a hybrid wind instrument using two microphones. In: Proceedings of the International Symposium on Musical and Room Acoustics (Miyara, Federico ed.), Asociación de Acústicos Argentinos, AdAA, Buenos Aires. ISMRA 2016 – September 11-13, 2016
  • Milne, Andrew J. and Holland, Simon (2016). Empirically testing Tonnetz, voice-leading, and spectral models of perceived triadic distance. Journal of Mathematics and Music: Mathematical and Comptational Approaches to Music Theory, Analysis, Composition and Performance, 10(1) pp. 59–85.
  • Buys, Kurijn; Sharp, David and Laney, Robin (2016). Sustained and attack sounds of the hybrid instrument evaluation, along with simulations. Mouthpiece pressure and external pressures. The Open University. https://doi.org/10.21954/ou.rd.3848415.v1
  • Georgiou, Theodoros; Holland, Simon and van der Linden, Janet (2016). Wearable Haptic Devices For Post-Stroke Gait Rehabilitation. In: Designing, developing, and evaluating the internet of personal health: International Joint Conference on Pervasive and Ubiquitous Computing (UbiComp 2016) , 12-16 Sep 2016, Heidelberg, Germany. File
  • Xambó, Anna; Hornecker, Eva; Marshall, Paul; Jorda, Sergi; Dobbyn, Chris and Laney, Robin (2016). Exploring Social Interaction With a Tangible Music Interface. Interacting with Computers (Early Access).
  • Stockley, R; Donaldson, G; Tetley, J.; Georgiou, T.; Holland, S.; van der Linden, J. and Pinzone, O. (2016). Walk to the beat: a single case study investigating a novel haptic device to improve walking after stroke. In: Cerebrovascular Diseases (Hennerici, Marion R. ed.), S. Karger, Basel, 41((Suppl 1)) pp. 88–89.
  • Collins, Tom; Laney, Robin; Willis, Alistair and Garthwaite, Paul H. (2016). Developing and evaluating computational models of musical style. Artificial Intelligence for Engineering Design, Analysis and Manufacturing, 30(01) pp. 16–43.
  • Katz, Dmitri; Dalton, Nick; Holland, Simon; O’Kane, Aisling and Price, Blaine A. (2016). Questioning the Reflection Paradigm for Diabetes Mobile Apps. In: EAI International Conference on Wearables in Healthcare, 14-15 June 2016, Budapest, European Alliance for Innovation.
  • Milne, Andrew J.; Laney, Robin and Sharp, David B. (2016). Testing a Spectral Model of Tonal Affinity with Microtonal Melodies and Inharmonic Spectra. Musicae Scientiae (Early Access).
  • Georgiou, Theodoros; Holland, Simon and van der Linden, Janet (2016). The Haptic Bracelets: Gait rehabilitation after Stroke. In: EuroHaptics 2016, July 4 – 7, London, UK.
  • Georgiou, Theodoros; Holland, Simon; van der Linden, Janet and Donaldson, Glenis (2016). Questioning classic patient classification techniques in gait rehabilitation: insights from wearable haptic technology. In: EAI International Conference on Wearables in Healthcare, 14-15 June 2016, Budapest.
  • Georgiou, Theodoros; Holland, Simon and van der Linden, Janet (2016). Rhythmic Haptic Cueing for Entrainment: Assisting post-stroke gait rehabilitation. In: Designing Around People: CWUAAT 2016 (Langdon, Pat; Lazar, Jonathan; Heylighen, Ann and Dong, Hua eds.), Springer, pp. 55–64.

2015

  • Steffert, Tony; Holland, Simon; Mulholland, Paul;Dalton, Sheep; Väljamäe, Aleksander (2015) Prototyping a method for the assessment of real-time EEG Sonifications. ICAD 2015 International Conference on Auditory Display, Graz, Austria, 8 – 10 July 2015.
  • Buys, Kurijn; Sharp, David and Laney, Robin (2015). A comparison of single-reed and bowed-string excitations of a hybrid wind instrument. In: Proceedings of the Third Vienna Talk on Music Acoustics, University of Music and Performing Arts Vienna, pp. 290–296.
  • Theodoros Georgiou, Simon Holland, Janet van der Linden, Josie Tetley, Rachel Stockley, Glenis Donaldson, Linda Garbutt, Ornella Pinzone. A blended user-centred design study for wearable haptic gait rehabilitation following hemiparetic stroke (2015). PervasiveHealth 2015, 9th International Conference on Pervasive Computing Technologies for Healthcare, May, 20-23 2015 Istanbul, Turkey.
  • Mudd, T., Holland, S., Mulholland, P., & Dalton, N. Investigating the effects of introducing nonlinear dynamical processes into digital musical interfaces (2015), SMC 2015 Twelfth Conference on Sound and Music Computing Maynooth University, Ireland, July 26 – Aug 1, 2015.
  • Laney, Robin; Samuels, Robert and Capulet, Emilie (2015). Cross entropy as a measure of musical contrast. In: Collins, Tom; Meredith, David and Volk, Anja eds. Mathematics and Computation in Music. Lecture Notes in Computer Science (9110). Cham, Switzerland: Springer International Publishing, pp. 193–198.
  • Milne, Andrew; Laney, Robin and Sharp, David (2015). A spectral pitch class model of the probe tone data and scalic tonality. Music Perception, 32(4) pp. 364–393.
  • Simon Holland, Rachel L.Wright, Alan Wing, Thomas Crevoisier, Oliver Hödl, Maxime Canelli (2015) “A pilot study using tactile cueing for gait rehabilitation following stroke ” Proceedings of REHAB 2014. Springer, REHAB-2014 in Communications in Computer and Information Science (CCIS).
  • Tetley, J. Holland, C. Waights, V. Hughes, J. Holland, S. and Warren, S (2015) Exploring new technologies through playful peer-to-peer engagement in informal learning. In D. Prendergast and C. Garattini (Eds). Ageing and the Digital Life Course. Berghahn Books, Oxford. ISBN 978-1-78238-691-9 (June 2015)
  • Linson, Adam; Dobbyn, Chris; Lewis, George and Laney, Robin (2015). A Subsumption Agent for Collaborative Free Improvisation. Computer Music Journal, 39(4) pp. 96–115

2014

  • Simon Holland, Rachel L.Wright, Alan Wing, Thomas Crevoisier, Oliver Hödl, Maxime Canelli (2014) A Gait Rehabilitation pilot study using tactile cueing following Hemiparetic Stroke. REHAB 2014. May 19- 22, 2014 Oldenberg Germany.
  • Franceschini, Andrea; Laney, Robin and Dobbyn, Chris (2014). Learning musical contour on a tabletop. In: Joint ICMC/SMC 2014 Conference, 14 – 20 September 2014, Athens, Greece.
  • Oliver Hodl, Geraldine Fitzpatrick, Simon Holland (2014) Experimence (sic): Considerations for Composing a Rock Song for Interactive Audience Participation ICMC/SMC Joint Conference: 40th International Computer Music Conference and 11th Sound and Music Computing (ICMC/SMC 2014). Athens, Greece, 14th to 20th September 2014. Pages 169- 176.
  • Buys, Kurijn; Sharp, David and Laney, Robin (2014). Developing and evaluating a hybrid wind instrument excited by a loudspeaker. In: Proceedings of the Institute of Acoustics, pp. 294–303
  • Oliver Hodl, Geraldine Fitzpatrick, Simon Holland (2014) Exploring the Digital Music Instrument Trombosonic with Extreme Users and at a Participatory Performance. International Journal on Advances in Intelligent Systems 2014, Vol 7 Nos 3 and 4, pages 439 – 449.
  • Mudd, T., Holland, S., Mulholland, P., & Dalton, N. Nonlinear Dynamical Systems as Enablers of Exploratory Engagement with Musical Instruments. International Conference on Live Interfaces , Wednesday November 19th 2014 Lisbon Portugal. http://users.fba.up.pt/~mc/ICLI/mudd.pdf.
  • Katie Wilkie, Simon Holland and Paul Mulholland (2014) Eliciting Domain Knowledge Using Conceptual Metaphors: A Case Study from Music Interaction. BCS HCI 2014.
  • Buys, K.; Sharp, D. and Laney, R. (2014). Developing a hybrid wind instrument: using a loudspeaker to couple a theoretical exciter to a real resonator. In: International Symposium on Musical Acoustics (ISMA 2014), 7-12 July 2014, Le Mans, France, pp. 331–336.
  • Simon Holland, Rachel L.Wright, Alan Wing, Thomas Crevoisier, Oliver Hödl, Maxime Canelli (2014) A Gait Rehabilitation pilot study using tactile cueing following Hemiparetic Stroke. REHAB 2014.
  • Katie Wilkie, Simon Holland and Paul Mulholland (2014) Eliciting Domain Knowledge Using Conceptual Metaphors: A Case Study from Music Interaction. Sep 09 – Sep 12. BCS HCI 2014.
  • Tom Mudd, Nick Dalton Simon Holland and Paul Mulholland (2014) Dynamical Interactions with Electronic Instruments. 14th International Conference on New Interfaces for Musical Expression (NIME 2014) Goldsmiths London, June 30 – July 2014.
  • Xambó, Anna; Roma, Gerard; Laney, Robin; Dobbyn, Chris and Jordà, Sergi (2014). SoundXY4: supporting tabletop collaboration and awareness with ambisonics spatialisation. In: International Conference on New Interfaces for Musical Expression 2014, 30 June – 03 July 2014, Goldsmiths, University of London, UK, Goldsmiths University of London, pp. 40–45.
  • Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Algorithmic music as intelligent game music. In: AISB50: The 50th Annual Convention of the AISB, 1-4 April 2014, London, UK (Forthcoming).
  • Bellingham, M., Simon, S., Mulholland, P. (2014) A cognitive dimensions analysis of interaction design for algorithmic composition software. Psychology of Programming 25th Anniversary Conference, Jun 25 – Jun 27. (PPIG 2014).
  • Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Methodological approaches to the evaluation of game music systems. In: AM ’14 Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound, ACM, article no. 26.
  • Tom Mudd, Nick Dalton Simon Holland and Paul Mulholland (2014) Dynamical Systems in Interaction Design for Improvisation. Workshop on Human Computer Improvisation 2014, ACM conference on Designing Interactive Systems, Vancouver. To be published in ACM Proceedings. June 21st – 25th, Vancouver BC Canada.

2013

  • A. Valjamae, T. Steffert, S. Holland, X. Marimon, R. Benitez, S. Mealla, A. Oliveira, S. Jorda (2013) A review of real-time EEG Sonification Research, ICAD 2013, ICAD The 19th International Conference on Auditory Display July 6–10, 2013, Lodz, Poland pp. 85–93.
  • Buys, Kurijn; Sharp, David and Laney, Robin (2014). Developing and evaluating a hybrid wind instrument excited by a loudspeaker. In: Proceedings of the Institute of Acoustics, pp. 294–303.
  • Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. (2013). Music and Human-Computer Interaction. Cultural Computing. London: Springer Verlag, London. ISBN 978-1-4471-2989-9. (2013).
  • Xambó, Anna; Laney, Robin; Dobbyn, Chris and Jordà, Sergi (2013). Video analysis for evaluating music interaction: musical tabletops. In: Holland, S.; Wilkie, K.; Mulholland, P. and Seago, A. eds. Music and Human-Computer Interaction. Springer Series on Cultural Computing. London, UK: Springer Verlag,
  • Prechtl, Anthony; Laney, Robin; Willis, Alistair and Samuels, Robert (2014). Methodological approaches to the evaluation of game music systems. In: AM ’14 Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound, ACM, article no. 26.
  • Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan (2013). Music interaction: understanding music and human-computer interaction. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, (2013).
  • Xambó, Anna; Hornecker, Eva; Marshall, Paul; Jordà, Sergi; Dobbyn, Chris and Laney, Robin (2013). Let’s jam the reactable: peer learning during musical improvisation with a tabletop tangible interface. ACM Transactions on Computer-Human Interaction (TOCHI), 20(6), article no. 36.
  • Vassilis Angelis, Simon Holland, Martin Clayton and Paul J. Upton. (2013) Testing a computational model of rhythm perception using polyrhythmic stimuli. Journal of New Music Research. Volume 42 Issue 1 March 2013.
  • Wilkie, Katie; Holland, Simon and Mulholland, Paul (2013). Towards a participatory approach for interaction design based on conceptual metaphor theory: a case study from music interaction. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, (2013).
  • Bouwer, Anders; Holland, Simon and Dalgleish, Mat (2013). The Haptic Bracelets: learning multi-limb rhythm skills from haptic stimuli while reading. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, (2013).
  • Linson, Adam; Dobbyn, Chris and Laney, Robin (2013). A parsimonious cognitive architecture for human-computer interactive musical free improvisation. Advances in Intelligent Systems and Computing, 196 pp. 219–224.
  • Bouwer, Anders; Holland, Simon and Dalgleish, Mat (2013). Song walker harmony space: embodied interaction design for complex musical skills. In: Holland, Simon; Wilkie, Katie; Mulholland, Paul and Seago, Allan eds. Music and Human-Computer Interaction. Cultural Computing. London: Springer, (2013).

2012

  • Prechtl, A., Milne, A., Holland, S., Laney, R. and Sharp, D. (2012) A MIDI sequencer that widens access to the compositional possibilities of novel tunings Computer Music Journal Vol. 16, No. 1 (Spring 2012).
  • Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Improvisation without representation: artificial intelligence and music. In: Music, Mind, and Invention Workshop: Creativity at the Intersection of Music and Computation, 30-31 March, 2012, Ewing, New Jersey, USA. Available from Oro.
  • Xambó, Anna; Laney, Robin; Dobbyn, Chris and Jordà, Sergi (2012). Towards a taxonomy for video analysis on collaborative musical tabletops. In: BCS HCI 2012 Workshop on Video Analysis Techniques for HCI, 11 Sep 2012, Birmingham, UK.
  • Roma, Gerard; Xambó, Anna; Herrera, Perfecto and Laney, Robin (2012). Factors in human recognition of timbre lexicons generated by data clustering. In: 9th Sound and Music Computing Conference (SMC 2012), 11-14 July 2012, Copenhagen, Denmark.
  • Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Critical issues in evaluating freely improvising interactive music systems. In: International Conference on Computational Creativity (ICCC) 2012, 30 May -01 June 2012, Dublin, Ireland.
  • Linson, Adam; Dobbyn, Chris and Laney, Robin (2012). Interactive intelligence: behaviour-based AI, musical HCI and the Turing Test. In: Revisiting Turing and his Test: Comprehensiveness, Qualia, and the Real World, Symposium no. 7 at AISB/IACAP World Congress 2012: Alan Turing Year 2012, 2-6 July 2012, Birmingham, UK.

2011

  • Hughes, C., Wermelinger, M., & Holland, S. (2011). Sound Spheres: A design study of the articulacy of a non-contact finger tracking virtual musical instrument. In Proceedings of the 8th Sound and Music Computing Conference, Padova, Italy.
  • Linson, Adam (2011). Unnecessary constraints: a challenge to some assumptions of digital musical instrument design. In: International Computer Music Conference 2011, 31 July – 5 August 2011, University of Huddersfield, UK.
  • Milne, A.J., Carlé, M., Sethares, W.A., Noll, T., & Holland, S. (2011).Scratching the scale labyrinth. In C. Agon, E. Amiot, M. Andreatta, G. Assayag, J. Bresson, & J. Mandereau (Eds.), Mathematics and Computation in Music: Third International Conference, MCM 2011, Paris, France, June 2011(Lecture Notes in Computer Science, Vol. 6726, pp. 180–195). Berlin Heidelberg: Springer-Verlag.
  • Milne, A.J., Xambó, A., Laney, R., Sharp, D.B., Prechtl, A., & Holland, S. (2011).Hex Player—a virtual musical controller. In A.R. Jensenius, A. Tveit, R. Godøy, & D. Overholt (Eds.), Proceedings of the 2011 International Conference on New Interfaces for Musical Expression (NIME11) (pp. 244–247). Oslo, Norway.
  • Milne, A.J., Sethares, W.A., Laney, R., & Sharp, D.B. (2011).Modelling the similarity of pitch collections with expectation tensors. Journal of Mathematics and Music, 5 (1), 1–20.
  • Collins, T., Laney, R., Willis, A., & Garthwaite, P.H. (2011). “Modeling pattern importance in Chopin’s mazurkas” In Music Perception, 28 (4), 387–414. Available from Oro
  • Holland, S., Wilkie, K., Bouwer, A., Dalgleish., M., & Mulholland, P. (2011) Whole Body Interaction in Abstract Domains. In D. England (Ed.), iWhole Body Interaction. Human–Computer Interaction Series, Springer Verlag, London. ISBN 978-0-85729-432-6. Pre-Print
  • van der Linden, J., Johnson, R., Bird, J., Rogers, Y., & Schoonderwaldt, E. (2011). Buzzing to play: lessons learned from an in the wild study of real-time vibrotactile feedback. In Proceedings of the 29th International Conference on Human Factors in Computing Systems, Vancouver, BC, Canada.
  • van der Linden, J., Schoonderwaldt, E., Bird, J., & Johnson, R. (2011). MusicJacket — combining motion capture and vibrotactile feedback to teach violin bowing. IEEE Transactions on Instrumentation and Measurement, 60(1), pp. 104–113.
  • Xambó, A., Laney, R., Dobbyn, C. (2011). TOUCHtr4ck: democratic collaborative music. In Proceedings of the Fifth International Conference on Tangible, Embedded, and Embodied Interaction 2011, Funchal, Portugal.

2010

  • Wilkie, K., Holland, S. and Mulholland, P. (2010). What Can the Language of Musicians Tell Us about Music Interaction Design? Computer Music Journal, 34(4).
  • Haro, M., Xambó, A., Fuhrmann, F., Bogdanov, D., Gómez, E., Herrera, P. (2010). The Musical Avatar—A visualization of musical preferences by means of audio content description. In Proceedings of Audio Mostly 2010, Pitea, Sweden.
  • Milne, A.J. (2010). Tonal music theory: A psychoacoustic explanation In S.M. Demorest, S.J. Morrison, & P.S. Campbell (Eds.), Proceedings of the 11th International Conference on Music Perception and Cognition (pp. 597–600). University of Washinton, Seattle, USA.
  • Milne, A.J., Sethares, W.A., Laney, R., & Sharp, D.B. (2010). Metrics for pitch collections. In S.M. Demorest, S.J. Morrison, & P.S. Campbell (Eds.), Proceedings of the 11th International Conference on Music Perception and Cognition (pp. 77–80). University of Washinton, Seattle, USA.
  • Milne, A.J. (2010, August 27). iSpectral pitch distance & microtonal melodies. Poster presented at the 11th International Conference on Music Perception and Cognition, Seattle, Washington, USA.
  • Collins, T., Thurlow, J., Laney, R., Willis, A., & Garthwaite, P. (2010). A comparative evaluation of algorithms for discovering translational patterns in Baroque keyboard works. Proceedings of the International Symposium on Music Information Retrieval, 3-8.
  • Laney, R., Dobbyn, C., Xambó, A., Schirosa, M., Miell, D., Littleton, K., & Dalton, S. (2010). Issues and techniques for collaborative music making on multi-touch surfaces. In Proc. Sound and Music Computing 2010. 23-25 July 2010, Barcelona, Spain.
  • Johnson, R.M.G. (2010). MusicJacket: Real-time Multimodal Feedback for Learning the Violin. iProc. Pervasive 2010 Doctoral Colloquium, 17-20 May 2010.
  • Johnson, R.M.G., van der Linden, J., & Rogers, Y. (2010) MusicJacket: the efficacy of real-time vibrotactile feedback for learning to play the violin. Proc. CHI 2010 Work in Progress 3475-3480. 10-15 April 2010, Atlanta.
  • Johnson, R.M.G., Rogers, Y., & van der Linden, J. (2010). To Buzz or not to Buzz: Improving awareness of posture through vibrotactile feedback. CHI Whole Body Interaction Workshop. 10-11 April 2010, Atlanta.
  • Holland, S., Bouwer, A., Dalgleish, M., & Hurtig, T. (2010). Feeling the Beat where it counts: Fostering Multi-limb Rhythm Skills with the Haptic Drum Kit. In Proceedings of TEI 2010 Pages 21-28. ACM New York NY USA. ISBN: 978-1-60558-841-4. DOI 10.1145/1709886.1709892. Oro ID 18900.
  • Holland, S. (2010). Asymmetrical Multi-User Co-operative Whole Body Interaction in Abstract Domains. Paper presented at Workshop on Whole Body Interaction, CHI 2010, Atlanta.
  • Collins, T., Laney, R., Willis, A., & Garthwaite, P. (2010). Available from Oro Using discovered, polyphonic patterns to filter computer-generated music. In Proceedings of the International Conference on Computational Creativity 1–10.
  • Laney, R., Dobbyn, C., Schirosa, M., Miell, D., and Littleton, K. (2010) Constructing Musical Identities During Collaborative Music Making On a Shared Touchable Table. iIdentity and Social Interaction. RNCM, Manchester, 2010.

2009

  • Milne, A.J. (2009). A psychoacoustic model of harmonic cadences. Master’s Thesis, University of Jyväskylä, Department of Music (supervised by Petri Toiviainen).
  • Milne, A.J. (2009). A psychoacoustic model of harmonic cadences: A preliminary report. In J. Louhivuori, T. Eerola, S. Saarikallio, T. Himberg, & P.-S. Eerola (Ed.), iProceedings of the 7th Triennial Conference of European Society for the Cognitive Sciences of Music (ESCOM 2009) Jyväskylä, Finland (pp. 328–337).
  • Sethares, W.A., Milne, A.J., Tiedje, S., Prechtl, A., & Plamondon, J. (2009).Spectral tools for Dynamic Tonality and audio morphing. Computer Music Journal, 33(2), 71–84.
  • Van der Linden, J., Schoonderwaldt, E., Bird J. (2009). Good vibrations: Guiding Body Movements with Vibrotactile Feedback, in: Physicality 2009 – Towards a less-Gui interface. In Proceedings of the Third International Workshop on Physicality, Cambridge UK.
  • Van der Linden J., Schoonderwaldt, E., Bird J. (2009). Towards a Real-Time system for teaching Novices Correct Violin Bowing Technique. In Proceedings of the IEEE International Workshop on Haptic Audio-Visual Environments and Games, HAVE 2009, Italy (pp. 81–86).
  • Wilkie, K., Holland, S. and Mulholland, P. (2009). Evaluating Musical Software Using Conceptual Metaphors. In A. Blackwell (Ed.) Proceedings of BCS Human Computer Interaction (pp. 232-237). EWIC, ISSN 1477-9358.
  • van der Linden, J., Schoonderwaldt, E., & Bird, J. (2009). Good vibrations: Guiding body movements with vibrotactile feedback. In Proceedings of the Third International Workshop on Physicality, Cambridge, UK.
  • Holland, S., Marshall, P., Bird, J., Dalton, S.N., Morris, R., Pantidi, N., Rogers, Y. & Clark, A. (2009). Running up Blueberry Hill: Prototyping Whole Body Interaction in Harmony Space. TEI 2009. Proceedings of the Third Conference on Tangible and Embodied Interaction. ISBN 978-1-60558-493-5 pp 92-98. ACM New York.

2008

  • Seago, A. Holland, S., & Mulholland, P. (2008).Timbre space as synthesis space: towards a navigation based approach to timbre specification. In Proceedings of the Institute of Acoustics Conference, 2008, Vol 30 Pt 2. 8pp.
  • Milne, A.J., & Prechtl, A. (2008).New tonalities with the Thummer and The Viking. In A. Crossnan, & T. Kaaresoja (Ed.), Proceedings of the 3rd International Haptic and Auditory Interaction Design Workshop, Volume 2, (pp. 20–22). Jyväskylä, Finland.
  • Milne, A.J., Sethares, W.A., & Plamondon, J. (2008).Tuning continua and keyboard layouts. Journal of Mathematics and Music, 2 (1), 1–19.
  • Bird, J., Holland, S., Marshall, P., Rogers, Y. and Clark, A. (2008) Feel the Force: Using Tactile Technologies to Investigate the Extended Mind. In Proceedings of Devices that Alter Perception Workshop (DAP 08), pp. 1-4 as part of Ubicomp 2008, Seoul, Korea (winner of best paper award).pdf here.

2007

2006

  • Hill, P., Holland, S., & Laney, R. (2006). Symmetric composition of musical concerns. In iProceedings of the 5th international Conference on Aspect-Oriented Software Development. ACM Press, New York, NY, pp 226-236.
  • Milne, A. J., Sethares, W. A., & Plamondon, J. (2006). http://oro.open.ac.uk/21510/1/X_System.pdf. Report commissioned by Thumtronics Inc.

2005

  • Seago, A., Holland, S., & Mulholland, P. (2005). Towards a Mapping of Timbral Space. Proceedings of Conference on Interdisciplinary Musicology (CIMo05), Observatoire International de la Création Musicale, Montreal, and Music Faculty of University of Montreal.
  • Holland S. (2005) A First Empirical Study of Direct Combination in a Ubiquitous Environment in People and Computers – Proceedings of Human Computer Interaction 2004, vol. XVIII, Springer Verlag, pp 229–247.

2004

  • Hill, P., Holland, S., & Laney, R. (2004). Applying aspect-oriented programming to music computing. In: Agon, Carlos and Assayag, Gerard, (eds). SMC04 Conference Proceedings: First Sound and Music Computing Conference. Services Des Publications, IRCAM, Paris, pp. 169-165.SMC04 Proceedings http://recherche.ircam.fr/equipes/repmus/SMC04/
  • Holland, S. (2004) Reflective Composition: the declarative composition of roles to unify objects, roles, & aspects, In Proceedings of 19th Annual ACM Conference on Object-Oriented Programming, Systems, Languages, and Applications, Proceedings OOPSLA, Vol II, p. 224–225, ACM ISBN 1-58113-833-4.
  • Seago, A., Holland, S., & Mulholland, P. (2004). A Critical Analysis of Synthesizer User Interfaces for Timbre, People and Computers – XVIII Proceedings of Human Computer Interaction 2004 Sep 2004, Springer Verlag, London.pp 105–106.
  • Holland, S., Day, R., Leplâtre, G., Edwards, A.D.N., (2004) Mobile HCI and Sound. Mobile HCI 2004:pp 527–528. In Stephen A. Brewster, Mark D. Dunlop (Eds.): Proceedings of 6th International Symposium on Mobile Human-Computer Interaction – Mobile HCI 2004, Lecture Notes in Computer Science, 3160, Springer 2004, ISBN 3-540-23086-6.
  • Hill, P., Holland, S., & Laney, R. (2004) Using Dynamic Aspects in Music Composition Systems. In Proceedings of the 2004 Dynamic Aspects Workshop (DAW04). Eds. Robert E. Filman, Michael Haupt, Katharina Mehner and Mira Mezini. NASA Ames Research Center, California TR04.01 Pages 89-97.